deja vudu is a sound collage apparatus from many different space-times, a resonance material of formless formations, signals without fixed origin, assembling an imaginary cartography of sound. deja vudu operates as a radio-archive-in-motion, where memory is metabolized rather than preserved: fragments circulate, decay, return, and recombine, producing a geography made of interference, vibration, and fugitive listening.
 

deja vudu emerges through close listening, shared research, and sustained conversations with artists working across experimental sound, radio, and theory. the program treats radio as a porous membrane between archival debris and lived presence, folding together voices, field recordings, speculative broadcasts, cosmic sonifications, and sonic fiction to unsettle linear chronology and stable authorship.
 

the archive privileges opacity over clarity. political speech, experimental sound practices, research audio, and amateur recordings coexist without hierarchy, refusing the clean separation between art, theory, and noise. this is a practice of listening attuned to the eerie, the contracolonial, and the infra-sensible: sound as a carrier of unfinished thought, collective memory, and speculative refusal that exceeds capture.